Midway thru designing season two, we'd gotten our cintiq screens and had slowly, episode by episode, begun to make our rough designs more and more detailed. Working straight into photoshop had given us the advantage to work more quickly and in full color- deadlines permitting. Eventually, our rough designs were vivid, full-color reflections of our imagination. I think we started to hit our stride around "Escape to The House of Mummies". The designs below are from ¡Viva los Muertos!.